Those landscapes that floods leave behind: a mixture of water and earth, cultivated soils, chemical residues, oils, animal carcasses, the debris of houses and trees.

“We relate, know, think, world, and tell stories through and with other stories, worlds, knowledges, thinkings, yearnings.” Donna J. Haraway

How To Become A Tree (Daphne)

Where Ovid's story of Daphne ends, many new stories, interpretations and the Anthropocene begin. The story of Daphne remains present as a seed, ready to germinate.

“We can no longer say ‘this, too, will pass.’ We're going to have to get used to it. It's definitive.” Bruno Latour

We are living in an era of crises. In the past, they might have been called plagues, in the false understanding that they come from outside. The Anthropocene teaches us that we ourselves are to blame.

‚Buttered Popcorn’ or would you prefer ‚Sugar Bomb’?

Collection of commercial botanical variety names, organised according to the themes of sugar, love, status, tourism and pop culture.

A prank by Eros, a parable about the power of love, or is it the love of power?

“The living world is made up of linked, interdependent, and interwoven alterities.” Baptiste Morisot

We always have to start again from scratch: Re-think, re-dream, reorganise, re-listen, re-collaborate.

“Bir’yun is the shimmer, the brilliance, and, the artists say, it is a kind of motion. Brilliance actually grabs you. Brilliance allows you, or brings you, into the experience of being part of a vibrant and vibrating world.” Deborah Bird Rose

Nymphology is not an established science in the classical sense, but rather an interdisciplinary field of research that deals with nymphs, their representations and their symbolic meaning in different cultures and epochs.

Hills, embankments, thickets: fragmentary landscapes, sections, excerpts, nothing big. These landscapes elude the overview, the grand design.

Text von Berthold Ecker, Museum auf Abruf Wien

Texte von Dana Charkasi & Hannah Stippl

zur Serie “Urban Camouflage” 2005

Text von Silvie Aigner, Parnass

zur Serie “Horizont” 2002

Text von Lorenz Seidler

zur Serie “Walzenbilder” 1999

Text von Carl Aigner, Museum Niederösterreich

zur Serie “Böschung” 2001/02

Hortikulturelle Installation, Berlin 2015, mit Anita Duller

Der Begriff hybrid verweist auf einen Zwischenbereich, die bewusste Vermischung von distinkten Materialien und Zeichensystemen, mit unvorhersehbarer kultureller, biologischer oder ideologischer Mobilität.

Texte von Dana Charkasi, Hartwig Knack & Walter Manoschek

zur Serie “Position Desired” 2005

Text von Martin Praska

Hortikulturelle Installation, Tulln 2018, mit Anita Duller (d/e)

Der Garten ist ein Modell für unseren Umgang mit der Welt, unsere Weltsicht, unseren Zugriff auf die Welt: Egal wie groß oder wie klein er ist, birgt er immer eine Utopie in sich. Wie wollen wir leben?

Text von David Komary

zu “Work in Progress” Kunst im öffentlichen Raum, Ernst Arnold Park Wien 2010-2016

Texte von Nora Sternfeld & Hartwig Knack

zur Serie “Noticed” 2006

Keiner glaubt mehr wirklich, was in der Zeitung steht. Und doch sind Pierre Bourdieus Gedanken „Über das Fernsehen“ überzeugend in ihrer Analyse der medialen Rezeptionslogik.

Text von Nora Sternfeld & Ljubomir Bratic

zur Serie “Alles möglich” 2006

2000 Inserate: Angebote für Dienstleistungen. Angebote, die Selbstbeschreibungen sind. Auf schwarzem Grund.